Johnson, "misogyny is a cultural attitude of hatred for females because they are female". Misogyny is manifested in many different ways, from jokes to pornography to violence to the self-contempt women may be taught to feel toward their own bodies. Though most common in men, misogyny also exists in and is practiced by women against other women or even themselves.
Our latest Spacebomb article gets at the little-known history of talented women and their musical contributions.
September 1, ; What has historically been a male dominated vocation, dating as far back as the renaissance period, is now sidling towards a more equitable environment for men and women to display their talents.
However, this concept of equitability comes with several clauses. Because the industry is historically, and in some circumstances currently, ascended by men, women are consequentially subject to varying stigmas and prejudices. Ann Powers, a pop music critic who currently writes for NPR Musiclaments over the societal struggles of being a female professional in the music Womens music essay.
In reading through the responses, one will find commentary about the layers of complications that tend to exist for a woman in the music industry. Many women wrote about their frustrations with this preemptive assumption that they will be incompetent as a player before even being heard.
Some male and female artists may say this is because good female players are more rare, although the less experienced female players still force their way into the scene. This mentality seems to stem from a movement to diversify all industries, both through gender and culture. This apparently leaves some men feeling frustrated that subpar female musicians get opportunities they have not earned.
This can be very trapping, especially when a woman feels a passion to move into a leadership position but may be subject to derogative titles that typical male musicians seem to evade. Some of the current issues that lay within the music industry can be traced back to societal standards and expectations dated over years ago.
The female presence in music has a sparse history. Much of the renaissance, baroque, classical, and romantic periods predominantly highlight the work of male composers and players, thus leaving us with a void of female composition and artistry from that time period.
To further prove this void, within the Concise Oxford History of MusicClara Shumann is one of the only female composers mentioned. She is quoted as saying this during her lifetime: Am I to be the one?
It would be arrogant to believe that. In the book Gender and the Musical Canonthe author posits that social structures are primarily fashioned into two categories: During the era of Clara Schumann and Fanny Hensel Mendelssohn, women were primarily affiliated with the private sector — that of the home, cooking, midwifery, child rearing, etc.
Ultimately, this postulates that, if music was fashioned around the public sphere, then men were more naturally inclined to dominate this sphere.
Furthermore, early music industry was objectively intended to serve the realm of piety. It was highly improbable that a female composer would be commissioned to write religious music for the Church. This could have been considered a theological disruption considering women were presumably inferior to carrying a role of leadership, even in regards to music.
Some would argue that this occurred because compositions that women were writing were musically inferior to what men were composing.
However, listening to recordings of the compositions easily nullifies this presumption. Amy Beach was an American composer and pianist who wrote this piano concerto in Lil Hardin Armstrong version Ray Charles version It would not be completely fair to go on listing under-appreciated female composers in the 20th century without at least acknowledging that there was a scope of worthy male composers that also gained little recognition during that time.
However, the list of well-known male composers easily outweighs that of women composers. Fast-forwarding to the s, a visible shift occurred for music industry icons for both men and women.
Particularly for women, the former wholesome and even formal image of the music industry was evolving into a more sexually liberated platform. Pro-sex feminist count this decade as an invaluable time of innovation that women used to empower themselves. This is a point in time when Madonna reframed the idea of the mainstream female musical icon by overtly incorporating sexuality into her image.
This set precedence for women to use their sexuality as a form of empowerment as performers in the music industry. This is sometimes a point of contention where some female musicians feel comfortable using sexuality and femininity as empowerment tools, whereas other women feel manipulated, uninspired, and cautious to use their sexuality as part of their art form.
Both approaches seem to have their benefits and ultimately seek to give options to women in how they choose to engage their power. Western society has always tended to lean towards male-dominated industries.
The music industry is no different.Women abuse essay by ashio-midori.com: This women abuse essay is provided for learning purposes and to help students write better essays and papers about the subject of women abuse. Rebecca Solnit, a TomDispatch regular, is the author of 17 books, including an expanded hardcover version of her paperback indie bestseller Men Explain Things to Me and a newly released anthology of her essays about places from Detroit to Kyoto to the Arctic, .
The bouffant carried on from the bouffant styles of the late s. During the s, it varied in size from happily rounded to pretty big. It was an easy-to-wear style, popular with women of all ages, and easy enough to create. Representation Of Women In Music Cultural Studies Essay.
Print Reference this. Disclaimer: This investigation will focus on the representation of women in music, specifically in punk and underground music, from their breakthrough in the 70’s to their lack of representation today in the 10’s. Laura Mulvey is a feminist media critic. Latest Women's rights and gender equality news, comment and analysis from the Guardian, the world's leading liberal voice.
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