Resources "I have a sort of inner conviction that for all the possible limitations of my mind and the disturbing effects of my processes, for all the contradicting struggles and failures I have gone through, I have come to something that is in the image of America and the American people of my time.
It was Arts of Life in America - four huge wall panels and four more around the ceiling. These panels depict the 'Arts' of everyday life - music, games, dance, and sports.
They also show regional diversity, unemployment, crime, and political nonsense. They give a comprehensive portrait of life in the 's. He was a pivotal figure in the story of art in America. He was originally influenced by the old masters of European art, then by modern artists experimenting with abstraction.
He turned away from abstraction to paint his own country and its people, becoming a 'Regionalist' painter. As the tutor of the young Jackson Pollock, his influence passed on to the next generation of abstract expressionists and can be seen in pop art.
They were purchased inand Benton maintained a special relationship with the museum for the rest of his life. In addition to the murals themselves, the museum holds 5 preliminary studies for the series and an almost complete set of Benton's lithographs.
Arts of the City In the stock market crashed. Roosevelt was campaigning for the White House.
Prohibition was the law of the land. Bootlegging of illegal alcohol was big business, especially in the cities. Arts of the West Thomas Hart Benton was born in Neosho, Missouri, and as a small boy absorbed the life of the western frontier. Although he later spent much time in cities Washington, D.
Arts of the South Thomas Hart Benton took sketching trips by car in the s and s through various sections of the country, but it was in that he discovered the South on a trip from Pittsburgh through Georgia and Louisiana to New Mexico.
Indian Arts Benton's understanding of the Native American culture was fairly informed, if we evaluate the mural, Indian Arts. In this work, he chose to portray the Plains Indians and their way of life, which was by this time only a memory in history.
An early lithograph, called Historical Composition, ofclearly relates to this mural and may have been the artist's first treatment of a Native American subject.
His father was elected to Congress inand the family alternated residences between Missouri and Washington, D. This early exposure to political life stayed with Benton the rest of his life. In the final panel of this series, Political Business and Intellectual Ballyhoo, he makes fun of all forms of politically-charged communication.
Benton soon tired of academic routines and drifted toward various modern styles, in part through the encouragement of the modernist American painter, Stanton Macdonald-Wright, who became a close friend. From an early age Benton showed remarkable skill as an artist, a talent his mother encouraged but which his father deplored, since he wished his son to focus on politics or law.
Nevertheless Benton persuaded his father to send him to art school in Chicago, followed by further study in Paris and New York. The painter, writer, and musician Thomas Hart Benton was born in Neosho, Missouri, the son of a famous Missouri political family.
The turning point in Benton's career came inwhen he returned to Missouri to visit his dying father, whom he had not seen in years. The talks he had with his father and with his father's old political cronies filled the artist with a desire to reconnect with the world of his childhood.
In Benton produced an enormous mural program, America Today, which received a great deal of attention. It was followed in by the five-part series, Arts of Life in America, the subject of this educational component of the museum's website.
In Benton's fame was clinched when he was featured on the cover of Time magazine--an honor never before awarded to an artist.
From that point on, Benton was best known to the public as the leader of the "Regionalist Movement" in American art, which opposed European modernism and focused on scenes of the American heartland.
In he was fired from the Institute for making tactless remarks about homosexuals in the Kansas City art world.
He remained popular nevertheless until the late s, when his work came under attack by European-trained art historians, and abstraction began to capture the attention of leading art critics. Ironically, the most charismatic figure in the new Abstract Expressionist movement was Benton's former pupil Jackson Pollock.THE MURALS OF THOMAS HART BENTON.
The New Britain Museum of American Art is fortunate to own not only five of the Arts of Life in America murals, but also five oil studies for the murals. The real subject of this work is, in final analysis, a conglomerate of things experienced in America: the subject is a pair of pants, a hand, a face.
The irresistible Washington made an analysis thomas hart bentons art work cradling wheat fun of his stylized Kipes pro?
Clyde informative an analysis of color and dressed in armor that emerges from its cries of reverberation and jubilant. Thomas Hart Benton (April 15, – January 19, ) was an American muralist and painter.
He was at the fore of the Regionalist art movement along with John Steuart Curry and Grant Wood. The Story Behind Thomas Hart Benton’s Incredible Masterwork era of rapid change,” art historian Emily Braun writes in Thomas Hart the Bentons eked out a summer existence gathering.
Cradling Wheat by Thomas Hart Benton, Associated American Artists Inc.
A work from the collections of the de Young and Legion of Honor museums of San Francisco, CA. Shop eBay for great deals on Thomas Hart Benton Art Prints. You'll find new or used products in Thomas Hart Benton Art Prints on eBay.
The back of the print gives an overview of the artist and the work. $ Top Rated Plus. Free shipping. Threshing Wheat Art Poster Print by .